An Art Historian’s Review of Devon Sculpture Park

A secret discovered in the heart of Devon.

Art in the Devon Sculpture Park

Rosemary Cieri, Art Historian and Exhibition Curator

Arrived in this remote part of England – perhaps one of the most scenic I have seen- I proceeded to my assignment: A report on an exhibition of the latest art concerned with our most immediate problems: the destruction of our nature, our world, and our divine right to inhabit it.

This happened to be in the Devon Sculpture Park, 100 acres unknown to me, in perhaps the most beautiful part of Devon I have seen; with hills gently rolling down to the mouth of the River Exe and the open sea. A centre of rewilding, the new way to look after trees, plants, grasses and animals, who all live here in blissful harmony.

Image result for the thinker rodin

I discovered the impacting art of an artist, Philip Letts, English but known throughout the world (from New York to Beirut) for his groundbreaking art, progressive, but full of human history, of humanity faced with today’s problems. In a series of installations with paintings, sculpture, worked out with metal… we see animals alive and as skeletons, these last produced by man and industry’s impact on the natural world they need to survive.

Some of these installations shown here made me face problems until now partly ignored, but which made me think like Rodin’s “The Thinker” sitting and reflecting on our world. On leaving I saw similar types of sculptures scattered throughout the Devon Sculpture Park which, like me, were reflecting on our present dilemmas. Enhancement, vitality and energy stems from Philip Letts’ art, an art provocative, enlightening, as art should be and above all inspiring.